If you do on set work and provide assets to other members of your team this course will show you a number of ways to provide better material and speed up both workflows and render times on larger projects. This terms focus is really on specialist photography and showing how a DSLR can be the number one tool for a VFX supervisor on set.
The course will cover generating textures, HDR, shooting for matte paintings, timelaspe, how to photography normal mattes, and much more. We are joined by Steve Anderson who will focus on photography for VFX artists. If you're interested in lifting your game ? or actually working professionally- this course will be ideal for you.Ĭlass 1: illumination and photographing bright objects (38:00).Ĭlass 2: basic terms and technical concepts in photograph (32:40).Ĭlass 3: landscape survey and working (28:43).Ĭlass 4: selection of photographs, the selection of successful, work with RAW, idea to customer (41:24).Ĭlass 6: work with the model (continuation) in the dynamics, in low and high key (30:42).Ĭlass 7: work with the model on the nature, evening and night survey, effects with night survey (26:30).Ĭlass 8: illumination by laser beam, method "light brush" (34:22).Ĭlass 9: survey of land and work with the depth of focus (37:10).Ĭlass 10: survey of glass capacities with different filling, work with the illumination and reflection (33:55). Professional photographer Tim Wheeler will show how to shoot high-end professional photographs. There are a lot of aspects to photography, so we have decided to make it commercial and focus on all sorts of everyday issues. Quote: fxphd - Digital Photography PHT201